
Monteverdi’s Vespers
Friday, September 19, 8.00pm
Saturday, September 20, 8.00pm
Sunday, September 21, 3.00pm
Cutler Majestic Theatre at Emerson College
Grant
Llewellyn, conductor
Chen
Shi-Zheng, stage director
To purchase tickets, visit Telecharge.com or
call 1 800 233 3123.
Tickets may also be purchased at the Majestic Theatre's box office at 219 Tremont Street in Boston, starting at 10.00am prior to each performance.
Monteverdi, the Shakespeare of music, wrote this love song
to the Virgin Mary in 1610. Now, the Handel and Haydn Society
has commissioned a groundbreaking fully-staged production
of this monumental work. Alongside the Chorus and Orchestra,
celebrated director Chen Shi-Zheng and a troupe of Asian
dancers bring an Eastern view to this intensely personal
expression of religious devotion.
About the Work
A lone tenor intones a bit of ancient chant. Suddenly the
air is filled with a massive D major chord, ornamented
with joyous fanfares. This is the sound of a new era, the
dawn of the seventeenth century; Monteverdi’s Vespers is a work that inaugurates the Baroque. Published in 1610,
this brilliant collection of liturgical music won Monteverdi
the important position of music director at San Marco in
Venice, and remains a lasting monument to his art.
Monteverdi’s Vespers has several elements. First,
there are five big psalm settings; for each, Monteverdi uses
its ancient chant as a cantus firmus threading its way through
every verse. He finds wonderfully different ways of treating
these psalm-tones—in a web of imitative counterpoint,
or with the whole chorus reciting together, or with the cantus
firmus as one voice in a florid solo ensemble. In between
these psalms, Monteverdi introduces small-scale motets for
solo voices, which grow increasingly elaborate in the course
of the collection. Lastly, there are some other items: a
dancing instrumental sinfonia accompanying a repeated acclamation,
a beautiful treatment of the ancient hymn-tune “Ave
Maris Stella,” and a splendid Magnificat, where Monteverdi
uses all his compositional resources to set Mary’s
own words.
To read the program notes, CLICK
HERE.
To learn more about the production, CLICK
HERE.
To read the Stage Director’s notes, CLICK
HERE.
For directions to the Majestic Theatre, CLICK
HERE.
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